It’s getting late. Ripkin, an alchemist extraordinaire, closes her makeshift potion emporium for the night. She and Thoran have recently bought a little house in southwest Britain. It’s still unfurnished, but in time it would make a nice family home. A double bed and some curtains, maybe a cozy fireplace… Yes, it would be lovely.
Ripkin is just about to get going when her good mood is ruined by an all too familiar, shadowy figure. The necromancer Darrol Argeledougal is loitering on street just outside the Wayfarer guild house. There is no one else there, it’s almost like this tuberculotic urchin was standing there just waiting for Ripkin to finish up grinding her last batch of potions. Their eyes meet, briefly. Ripkin is about to snub the man and simply walk past him, since she knows it’s getting late and Thoran is already waiting for her. But there’s something Darrol wants to say.
![Image](http://www.tuulihypen.com/Random/darrolmsy.jpg)
“How did you do it?” He asks.
Ripkin halts and holds her breath for a second. A conversation seems unavoidable. “How did I do it? Oh, I stirred the eggs, added half a cup of brown sugar and some chocolate chips into the oat and milk mixture. Stick it in the oven for 25 minutes and, bang, that’s muffins. Got a pen with you? I can write it down for you.“
Darrol frowns. “Don’t pretend you have no idea what I’m talking about. I saw you carrying a baby and I heard that Thoran is the father. How did this happen?”
“Geez, Darrol. I thought that everyone knew about bees and flowers”, Ripkin mumbles sarcastically and pats her pockets for a smoke. She’s going to need one real bad if they’re going to have this conversation. “I can tell you how babies are made, but the graphic details might upset and confuse you.”
"Ugh. Spare me the details”, he grimaces. “I do know there’s more to it than that. And I know I’m being too curious about this, but Ciara looks like a normal child. How could
you have a child that looks human? You're just faking to be one yourself." Darrol has a hunch he ought to drop the subject, but he can't help feeling a little fascinated. Some things should not be, and yet it seems like fairytales occasionally come true and all sorts of frogs turns into princesses - or lawyers - by sheer willpower.
Ripkin does look a little miffed, though… She's good at keeping her cool, but not tonight. The tanned woman suddenly grabs Darrol by the collar of his robe and tackles him against the nearest wall. Her grip is as strong as any man’s. “You’re awfully curious for a peasant, Mr. Argeledougal. The last time we had a serious discussion I told you not to get involved with my personal life. How many times do I have to beat you to get that through your thick skull?” The alchemist’s voice is thick and hushed, like syrup laced with poison.
“Ow! I’m not going to get involved! I-I just don’t g-get it”, Darrol stutters. “Why are you suddenly raising a family here in Britain? Aren’t you afraid that... That people will find out? That your master will find out you’re here, pretending to be some everyday merchant - and, a-a mother, of all things!”
Ripkin pushes Darrol’s back roughly against the wall to make him focus. “Oh, no, no, no… No one is going to find out anything. Because the only people here who might spill my secrets, are you and your lady friend Shira… And you’re not going to tell anyone, are you? I thought we were such good friends. Could I have been mistaken?”
Darrol catches a glimpse of something shiny in Ripkin’s hand. Fast as a snake, the blade of a mean little dagger is pressed against his cheekbone. A trickle of blood runs down his jawline. “We’re not e-exactly friends, Ripkin. As a rule I don’t care what you do, b-but… I don’t like the way you’ve tricked Thoran. He has no idea who or what you are.”
The alchemist releases her grip a little. She lets out a high-pitched, almost hysterical laugh. “And since when have you given two shits for that old fool or anyone else who tries to keep this miserable little charity guild together? You used to choose your company much more carefully, Darrol. Always looking down at people. Guess you can’t afford it these days, huh?”
The dark-robed man frowns. "Okay, look. It's obvious that you're not going back to your old life, but why do you have to start stirring shit everywhere you go? Why don't you just come clean and tell Thoran everything? He might accept the way you really are without that human mask", the necromancer replies with a shrug. Then he says the worst possible thing: "Thoran likes animals, doesn't he?"
Ripkin fumes. She might not be entirely what she claims to be, and Darrol has seen through her illusion, but no man (especially one who weighs less than eight stone and has a mismatching pair of eyes) has the right to compare her to an animal! Furious, she punches Darrol in the face. The necromancer staggers from the force of the blow and instinctively touches his bleeding nose to feel if it's still there. Ripkin doesn't give him time to gather his bearings. She grabs him by the head, hits it against the wall and trashes the dazed man into the gutter.
Fortunately for Darrol there has been a guard just nearby, making his night rounds. Suddenly the light of his lantern illuminates the street and he becomes a witness to the assault. Since it's still pretty dark and Darrol's hood is down, he mistakes the necromancer for an ordinary robed peasant. It is obvious that the fight is not an even one. The guardsman reaches for his sword. "Hey! You! What are you doing?!"
The alchemist hisses in frustration. Her eyes gleam with madness and hellfire. She leans closer to Darrol who is struggling to get on his feet. "Listen, if you know what's good for you, you'll recall your bony ass to Three Foot Island or some other miserable faraway spot and you
stay there, because where ever you go, I'm going to find you and craft a purse out of your face."
The guard breaks into a run.
"I gotta go now. Lucky you, now you have some time to sort out your runes and kiss Britain goodbye", Ripkin adds. She's not going to explain the situation to the officer, so she darts off. And because running is as good as admitting guilt, the guard figures he is dealing with some lowlife mugger and chases after her. Darrol sits up and looks down the street, bewildered by the beating he just received. This is not the first time Rip has bullied her, but something really seemed to tick her off this time. Oh bother, he really did it this time. Even though he was only trying to help her… Sort of.